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- W2991002364 abstract "In an interview with
 Francis Gertler , Patrick McGrath proposes that there
 has been very few written about “the revival of fascism in England immediately
 after the war” and that he cannot explain why this is so. And thus he published
 The Wardrobe Mistress in order to
 explore the reasons for the return of the fascism after the end of World War
 II. Although at a first glance the novel appears to be surrounded by gothic
 props such as the uncanny return of the dead body, the dark and gloomy setting,
 the reader is also concerned about its handling with anti-Semitism, as the main
 character is a Jew and her dead husband was a strong Nazi sympathizer. Thus, in
 addition to its Gothic traits, the novel transmits a political message about
 fascism in a gothic sensibility. By implementing the gothic genre’s traditional
 uncanny element into a political arena, McGrath proposes that fascism is also
 similar to the dead bodies which continues to reappear in a more tormenting
 way. Therefore this paper will present McGrath’s parodic relation with the
 Gothic genre, which he labels as “new gothic” in order to explore the novel’s
 representation of anti-semitism by ironically juxtapositioning a dead Nazi soul
 and a living Jewish body." @default.
- W2991002364 created "2019-12-05" @default.
- W2991002364 creator A5019376143 @default.
- W2991002364 date "2019-11-21" @default.
- W2991002364 modified "2023-09-25" @default.
- W2991002364 title "Mcgrath’ın the Wardrobe Mistress adlı romanında anti-semitizmin tasviri" @default.
- W2991002364 doi "https://doi.org/10.29000/rumelide.648897" @default.
- W2991002364 hasPublicationYear "2019" @default.
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