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- W2992662763 abstract "From colonial to post-colonial times, African rituals and other magical-religious manifestations have served as a constant aesthetic resource in the representation of Afro-Cubans in the theater. In this essay, I analyze black face theater or teatro bufo to trace pioneering plays that employed Afro-Cuban rituals to portray blackness during the 19th century. By examining several works, especially Mefistófeles by Ignacio Sarachaga (1896), I show how elements such as music, speech, and the practice of Afro-Cuban religion are portrayed not only as part of the racist mockery typical of this theatrical genre, but also as a mechanism with which to confront the colonial Spanish regime and to propose a more dynamic and technically complex staging." @default.
- W2992662763 created "2019-12-13" @default.
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- W2992662763 date "2019-01-01" @default.
- W2992662763 modified "2023-10-17" @default.
- W2992662763 title "Vestigios de la ritualidad y representación mágico-religiosa de la cultura afrocubana durante la colonia en el teatro bufo" @default.
- W2992662763 doi "https://doi.org/10.1353/ltr.2019.0020" @default.
- W2992662763 hasPublicationYear "2019" @default.
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