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- W2993946319 abstract "The article is devoted to the lyrics of original Tatar poet (1947 - 2005) N.Gambar who reflected in his work leading trends of the national historical and literary process of the late XX - early XXI century. In the research it has been applied methods of structural, semiotic, hermeneutic, comparative, historical, typological analysis. Explicit forms of intertextual links in the poet’s lyric became the subject of the analysis. It is established that intertextuality is considered as a system forming principle of poetics of Tatar poet N. Gambar. It reflects the various ways and forms of the lyrical subject self-identification: as a carrier of common type substance of humanity, a representative of a particular ethnic group, the unique individuality that is passing painful phase of overcoming the phenomenon of his existence, the creative person who is learning his mission in the world. It is concluded that the genre and composite structure of the poems (close to the fragment genre) corresponds to the process of self-identification and self-determination of the lyrical hero in the world. So the N.Gambar’s lyrics is characterized by new forms of artistic synthesis of classical artistic paradigm with non-classical and post-classical ones. The study of intertextuality as one of the techniques of N.Gamabar’s poetics is important for theoretical understanding of artistic and aesthetic nature of the new phenomens in the Tatar poetry of this period, the identification of their role and place in the historical and literary process." @default.
- W2993946319 created "2019-12-13" @default.
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- W2993946319 date "2016-07-19" @default.
- W2993946319 modified "2023-09-26" @default.
- W2993946319 title "INTERTEXTUALITY IN N.GAMBAR’S LYRICS: DIALOGUE OF THE WESTERN AND EASTERN TRADITIONS" @default.
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