Matches in SemOpenAlex for { <https://semopenalex.org/work/W2994402015> ?p ?o ?g. }
Showing items 1 to 66 of
66
with 100 items per page.
- W2994402015 startingPage "75" @default.
- W2994402015 abstract "The musical lyric scene is an artistic form present all over the world, in every corner and city that manifests cultural life and creative activities. It is a special and unique genre of art that transcends through history and the passing of time, its birth place dating back to medieval ages. One can say that many great cities based their cultural evolution on preserving this art form through institutions of display and education, like theatres, schools and universities. At a closer look, a pertinent and curious observation is that ex-communist countries have developed a special and respectful approach to this kind of artistic creation. Without having the consumerist agenda of old capitalist systems and being exposed for the first time to foreign investors and corporations, many of these countries concentrated their new found freedom in human studies, mostly art, exercising their imagination and creative potential. A good and immediate consequence is that new schools and universities all over the world started exchanging their knowledge through teachers and students. Capitalist countries set their eyes on middle-eastern European teachers and masters of the craft, offering them a possibility to practice their art in a new and friendly environment. Subsequently the competition between academic institutions grew, helping art form evolve and reach new heights. One thing will be ever so similar in capitalist or communist regimes alike; art is a direct expression of life and truth, like a mirror resembling social dilemmas, protests and needs. Played out on a stage through conventional means of the genres, one can understand the struggle and history of a civilization through its art. Though the production value and final presentation may vary from a place to another, it is the combined work of a group of people like grips, stage and light designers, make-up and costume artists that reaches out to the people and sends them the message. An interesting comparison would be one between the effect of art and the effect of religion on one's mind. Somehow religion is more of a boundary-setter than an liberator of thought. Art lets the mind go beyond the simple philosophy of sinner and saint, revealing the beautiful shades of grey that put the mind and soul to the test. Art can spark revolutions. It is a well known fact that many art forms evolved in a church-oriented environment, but when the moment came they flew away like a baby bird following the natural course of life which is to cultivate and explore the maximum potential of your being.Perfection in art is defined by imperfection, by human condition in its primal form. The emotional roller coaster provided for the audiences takes them on a journey where they experience fear, happiness, truth, betrayal, cries and laughter. The result of a story and the cycle of an artistic creation is through itself perfection, and this idea creates a whole new church. The comparison is applied even to the architectural side of the matter. Theatres and ballrooms in great places around the world are a display of creativity without restraint. They celebrate the place where people go to detach themselves from everyday problems and needs. Churches and religious buildings however manifest a certain conservative approach in architecture. With the passing of time, many theatrical lyrical genres were born by the social classes that commissioned them. When these forms of art started catching on to the high courts as well as the streets, the fundamental difference was set by how the authors tackled subjects; the comedy-drama ratio was very important, as well as who turned out to be the obvious victor in the end.Whatever the variation of these creations, the stage always won. Let's focus on two genres that apparently are almost the same. Both focusing on music as their primal element of expression and using similar exposure methods through stages, props, acting, costumes, and accompanied by orchestras: Opera and Operetta. …" @default.
- W2994402015 created "2019-12-13" @default.
- W2994402015 creator A5077221341 @default.
- W2994402015 date "2014-04-01" @default.
- W2994402015 modified "2023-09-24" @default.
- W2994402015 title "Opera and Operetta. Similarities and Contrasts" @default.
- W2994402015 hasPublicationYear "2014" @default.
- W2994402015 type Work @default.
- W2994402015 sameAs 2994402015 @default.
- W2994402015 citedByCount "0" @default.
- W2994402015 crossrefType "journal-article" @default.
- W2994402015 hasAuthorship W2994402015A5077221341 @default.
- W2994402015 hasConcept C107038049 @default.
- W2994402015 hasConcept C142362112 @default.
- W2994402015 hasConcept C144024400 @default.
- W2994402015 hasConcept C153349607 @default.
- W2994402015 hasConcept C17744445 @default.
- W2994402015 hasConcept C18903297 @default.
- W2994402015 hasConcept C199539241 @default.
- W2994402015 hasConcept C2779732396 @default.
- W2994402015 hasConcept C542948173 @default.
- W2994402015 hasConcept C86803240 @default.
- W2994402015 hasConcept C91306197 @default.
- W2994402015 hasConcept C94625758 @default.
- W2994402015 hasConceptScore W2994402015C107038049 @default.
- W2994402015 hasConceptScore W2994402015C142362112 @default.
- W2994402015 hasConceptScore W2994402015C144024400 @default.
- W2994402015 hasConceptScore W2994402015C153349607 @default.
- W2994402015 hasConceptScore W2994402015C17744445 @default.
- W2994402015 hasConceptScore W2994402015C18903297 @default.
- W2994402015 hasConceptScore W2994402015C199539241 @default.
- W2994402015 hasConceptScore W2994402015C2779732396 @default.
- W2994402015 hasConceptScore W2994402015C542948173 @default.
- W2994402015 hasConceptScore W2994402015C86803240 @default.
- W2994402015 hasConceptScore W2994402015C91306197 @default.
- W2994402015 hasConceptScore W2994402015C94625758 @default.
- W2994402015 hasIssue "2" @default.
- W2994402015 hasLocation W29944020151 @default.
- W2994402015 hasOpenAccess W2994402015 @default.
- W2994402015 hasPrimaryLocation W29944020151 @default.
- W2994402015 hasRelatedWork W116761778 @default.
- W2994402015 hasRelatedWork W2066703128 @default.
- W2994402015 hasRelatedWork W219730147 @default.
- W2994402015 hasRelatedWork W229734319 @default.
- W2994402015 hasRelatedWork W2496182250 @default.
- W2994402015 hasRelatedWork W2906652007 @default.
- W2994402015 hasRelatedWork W290878765 @default.
- W2994402015 hasRelatedWork W2914297413 @default.
- W2994402015 hasRelatedWork W301618268 @default.
- W2994402015 hasRelatedWork W3081808384 @default.
- W2994402015 hasRelatedWork W3114961665 @default.
- W2994402015 hasRelatedWork W3157034922 @default.
- W2994402015 hasRelatedWork W3213386927 @default.
- W2994402015 hasRelatedWork W322667669 @default.
- W2994402015 hasRelatedWork W342792612 @default.
- W2994402015 hasRelatedWork W599048429 @default.
- W2994402015 hasRelatedWork W784393331 @default.
- W2994402015 hasRelatedWork W2806065486 @default.
- W2994402015 hasRelatedWork W2991820316 @default.
- W2994402015 hasRelatedWork W70932110 @default.
- W2994402015 hasVolume "4" @default.
- W2994402015 isParatext "false" @default.
- W2994402015 isRetracted "false" @default.
- W2994402015 magId "2994402015" @default.
- W2994402015 workType "article" @default.