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- W2994792508 abstract "Examples of ancientgraffiti provide a graphic testimony to peoples’ attitudes towards earliermonuments. They have been described as one of the key groups of sources for thestudy of Egyptian uses of the past, and are considered as one of the richestsources of evidence available of the personal experience of religion in AncientEgypt. The past decade saw an increasing scholarly interest in ancientgraffiti. While studies traditionally focussed almost exclusively on thetextual component, more recent research has gradually included non-textual orfigural graffiti as well.TheNew Kingdom (ca. 1539–1077 BC) necropolis at Saqqara – the foremost (elite)cemetery for the city of Memphis – provides the spatial and cultural contextfor the data discussed in this paper. The graffiti were recorded in the sub-and superstructures of the tombs, and on dismantled blocks now kept in museumcollections around the world.Thetomb in Egypt was considered sacred space. Therefore, it is useful to emphasizethe materiality of graffiti and their physical engagement with those spaces.The figural and textual graffiti were carved into the sacred context of thetomb, thus becoming one with it. In thewords of Dorman and Bryan, ‘sacred space may be said to presuppose theactualization of ritual within it and inherently provides a setting that bothframes religious ceremony and can even elicit a performative response on thepart of the officiant’.One particular group of figural tomb-graffiti are thesubject of this paper: the representations of human figures. How should thesefigures be interpreted, and what do they tell us about the use and users of thetombs?" @default.
- W2994792508 created "2019-12-26" @default.
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- W2994792508 date "2018-01-01" @default.
- W2994792508 modified "2023-09-23" @default.
- W2994792508 title "Products of the Physical Engagement with Sacred Space: the New Kingdom Non-textual Tomb-graffiti at Saqqara" @default.
- W2994792508 hasPublicationYear "2018" @default.
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