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- W2997348795 abstract "The article is devoted to investigation of the “laughter” notion in the works of Georges Bataille as sensual and aesthetical reaction on the “world limits” experience; as well as method of philosophizing in the context of the Modern Philosophy critique (master–slave dialectic by G. W. F. Hegel). The concept of “restrained to general economy” by Jacques Derrida in the context of comparing classical philosophical discourse (“master” by Hegel) and Bataille’s “laughing” at it (“sovereign”) analyzed. The key interpretations of Bataille’s “laughter” within the framework of modern aesthetical and sociophilosophical thought observed. The analysis of laughter in two meaning dimensions is provided, which allows us to distinguish laughter as a key concept within the framework of modern aesthetic theory as allowing us to find a new structure of aesthetic knowledge in conditions of blurred boundaries established in the form of classical aesthetic categories: tragic and comic, sublime and low, beautiful and ugly. “Laughter” is analyzed as interpreted in many dimensions and meanings nowadays: individually (reaction to the sudden threat of death) and socially (transformation of the comic), in art and in common life. The connection of Bataille’s notion of “laughter” and Aristotle’s meaning of comic (the effect of the comic is insufficient hero suffering) and I. Kant’s one (the comic effect makes unjustified long-standing expectations, nothing instead of something)." @default.
- W2997348795 created "2020-01-10" @default.
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- W2997348795 date "2019-12-09" @default.
- W2997348795 modified "2023-09-25" @default.
- W2997348795 title "GEORGES BATAILLE’S “TRANSGRESSIVE LAUGHTER” IN THE CONTEXT OF MODERN PHILOSOPHY CRITICISM" @default.
- W2997348795 doi "https://doi.org/10.18524/2410-2601.2019.1(31).186351" @default.
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