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- W2998048716 abstract "EnglishThe article examines an epistle excerpt by Friedrich Holderlin concerning the notion of Nature, having in sight the introduction of his conception of tragic. Such Holderlin’s concept is, so, connected to those of Necessary and Whole, titles that found the metaphysical determination of Freedom. For the presentation of the proposed conceptual appropriation, it is observed, at first, Diderot’s position on dramatic arts, whose horizon seems to be aesthetic-pedagogical, being the natural conceived as a means and submitted to morals. Notes on the “necessary” concept, in Aristotle, are linked to the concept of Whole, and are used as connection to interprete Nature in the examined missive. If the latter is referred to the Whole, then human’s body and life are natural under the eyes of their pertaining to the first – the thruth of the organic, such as the unity of meaning of human life lies in the connection with Nature, conceived as metaphysical wholiness. The tragic wil be shown, therefore, as unifying dynamics of the Whole; and the tragedy, as the showing of this unity facing the rupture of the consigned meaning center of the “hero”. portuguesO artigo examina passagem epistolar de Friedrich Holderlin em torno da nocao de Natureza, tendo em vista a apresentacao de sua concepcao do tragico. Liga-se o conceito holderlineano aos de Necessario e Todo, titulos para a determinacao metafisica da Liberdade. Para introduzir a apropriacao conceitual proposta, observa-se, de inicio, a posicao diderotiana sobre a arte dramatica, cujo horizonte parece ser estetico-pedagogico, o natural sendo concebido como meio e submetido a moral. Notas do conceito de “necessario”, em Aristoteles, sao ligadas ao conceito de Todo, e servem de conexao para a interpretacao da Natureza, na carta examinada. Se esta e referida ao Todo, entao o corpo e a vida do homem sao naturais sob o modo de sua pertenca ao primeiro – a verdade do orgânico, assim como a unidade de sentido da vida humana, repousa na conexao com a Natureza concebida como totalidade metafisica. O tragico sera mostrado, por conseguinte, como dinâmica de unificacao com o Todo, e a tragedia, como apresentacao dessa unidade mediante a ruptura do centro de sentido consignado no “heroi”." @default.
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- W2998048716 date "2019-12-01" @default.
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- W2998048716 title "TRAGÉDIA E NATUREZA. UM FRAGMENTO DA CORRESPONDÊNCIA DE HÖLDERLIN" @default.
- W2998048716 doi "https://doi.org/10.7443/problemata.v10i5.49131" @default.
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