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- W2999314974 abstract "This Chapter tracks changes in the term and concept of art around four themes. First, the techne sense dominated for over two thousand years, from the initial use of techne itself by the Greeks, through its translation into ars by the Romans—a total period stretching from roughly 500 BCE to 1800 CE. Second, the use of art to mean only aesthetic “creative self-expression,” has existed only since the late nineteenth century and was the result of Romantic-era rhetoric advocating intuition and passion over rational scientific progress. This modern meaning is both hopelessly mystical (e.g., deep rumination over “what is art?”) and perpetuates negative gender stereotypes (art is feminine while science and technology are masculine). Third, the techne sense of art is central to understanding modern patent systems. And fourth, this techne sense of art provides the basis for any serious understanding of Production, and thus properly belongs as one of the meta-methods while also being foundational to understanding the means of innovation." @default.
- W2999314974 created "2020-01-23" @default.
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- W2999314974 date "2018-11-26" @default.
- W2999314974 modified "2023-09-23" @default.
- W2999314974 title "Art as Techné and Production: Rational Methods for Producing Effects" @default.
- W2999314974 hasPublicationYear "2018" @default.
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