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- W3001403188 abstract "Lagu seriosa was themost important nationalistic song genre in Indonesia in the 1950s and 1960s,and it became the main attraction of the annual national singing competition,the Bintang Radio (Radio Star). Little academic work has been done toinvestigate how it developed and why this genre that emulated the European artsong, rose to such prominence in Indonesia. The aim of this study is twofold;to distinguish the role of the genre that led to its growth as a nationalisticsong in Indonesia, and to investigate the use of folk songs in the music topromote nationalism. Twenty-seven interviews were conducted among thepractitioners who played the key role in the development of lagu seriosa fromthe 1950s. As a genre that promoted national Indonesian identity, it lost itspopularity as the rise of popular music infiltrated Indonesia in the 1970s.This thesis will cover the entire period from its rise to the fall of laguseriosa as the definitive nationalist song in Indonesia. The five case studiesof selected songs reflected continuity and change in musical style and overtime. The research extends the theory of art as collective actionby Howard Saul Becker (1974) where collective action is not only crucial butwas treated as a conventional method of composition for the survival of the artworld. I propose the term “variants to the conventions” for the collaborativeprocess of the art song. I argue that the success of lagu seriosa was fosteredby a group of musicians who functioned as the gatekeepers, referred in thisthesis as the “reference group,” a term coined by Karen Cerulo (1984) todescribe the consciousness with which artists identify with the experts intheir craft. By promoting role models, the reference group cultivated,monitored and devised various mechanisms so that songs conformed to propagandaneeds of the Indonesian government. The result is that the classical style ofsinging propagated by lagu seriosa accommodated the cultivation of patriotic orpropaganda songs during the Guided Democracy period (1959- 1965), particularlyat the height of the Konfrontasi (1963-1966) period." @default.
- W3001403188 created "2020-01-30" @default.
- W3001403188 creator A5050001072 @default.
- W3001403188 date "2019-11-29" @default.
- W3001403188 modified "2023-09-25" @default.
- W3001403188 title "The History and Development of Lagu Seriosa in the Context of Musical Nationalism in Indonesia" @default.
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- W3001403188 doi "https://doi.org/10.4225/03/58f6e7d91014a" @default.
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