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- W3003095698 abstract "This chapter focuses on Loy's ambivalent and subtle understanding of the processes underpinning the creation of the economic and symbolic value of artworks, or the economic and cultural processes validating and sustaining their privileged status. Drawing on modernist aesthetics, critical theory and thing theory, the chapter examines early and later texts in dialogue with works by Marianne Moore, Gertrude Stein, Carl Van Vechten, Marcel Duchamp, Ezra Pound and Walter Benjamin, and shows how Loy proposes a dialogic version of the art work as encounter, collaboration, or event, rather than as a self-contained masterpiece. In this chapter the author analyses the notion of artistic creation as labor, investigates the status of Loy’s poetic objects in relation to the world of commerce and of commodities, and explores Loy’s critical assessment of the author’s signature within the “culture industry”." @default.
- W3003095698 created "2020-01-30" @default.
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- W3003095698 date "2019-05-21" @default.
- W3003095698 modified "2023-09-23" @default.
- W3003095698 title "The Objects of Poetry and the Economics of Art" @default.
- W3003095698 doi "https://doi.org/10.5744/florida/9780813056302.003.0003" @default.
- W3003095698 hasPublicationYear "2019" @default.
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