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- W3006551270 abstract "ABSTRACT This article outlines a number of potential contributions that a consideration of early eighteenth-century conceptions of musical expressivity might make to certain present-day philosophical and psychological accounts of musical emotions and their expression. Taking as its central case study a performance by Christian Gerhaher in Peter Sellars's 2014 staging of J. S. Bach's St John Passion , the article calls for closer attention to both the historical specifics of music's expressive capacities and the corporeal dimension of performance (past and present). It argues that a more sustained engagement with these domains can productively complicate some fundamental assumptions that underpin current approaches to musical expression." @default.
- W3006551270 created "2020-02-24" @default.
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- W3006551270 date "2020-02-12" @default.
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- W3006551270 title "MUSICAL EXPRESSION: LESSONS FROM THE EIGHTEENTH CENTURY?" @default.
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- W3006551270 doi "https://doi.org/10.1017/s1478570619000447" @default.
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