FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W3008995483> ?p ?o ?g. }

• W3008995483 endingPage "123" @default.
• W3008995483 startingPage "116" @default.
• W3008995483 abstract "Postmodern television gravitates to the game programs. This process takes place not only in Russia but all over the world as a manifestation of a general trend. TV is a part of the system of mass communication which has moved onto the network stage inevitably linked with the game. A game helps to overcome the discreteness of contemporary reality. Due to objective reasons the present-day content of television broadcasting is packed in a game model of communication. This tendency is not introduced from the outside or imposed upon the subjective will; it reflects the specificity of television broadcasting of the postmodern. Both the telecast and game are the communication processes creating new structures. On the one hand, they coincide in algorithm: the result is not as important as the process itself. On the other hand, the very word game is multi-faceted and multi-layered in Russian language, and its alliance with TV is controversial. Maybe mainly due to linguistics. Game and Play are different in meaning but there is only one word игра (igra) in Russian, that unifies significance of two English words. In 2013 the sociological study Game and Me was held in Moscow under the supervision of the author. It demonstrated the fact of generational variations in understanding of the word. For grandparents cohort igra is fun; entertainment and a kind of work aimed at self-knowledge for generation of grandchildren. In both cases, the game reflects the philosophical category of special attitude to the world. With the advent ofnew communication technologies, TV viewer gets an impulse of activity and the postmodern situation provokes reformist moods. Game and Play provide an escape from reality. Fans of play are suspicious of game and vice versa. This is the problem. Therefore, the pretence of two-sided criticism of television programs is considered hereafter. Screen pretence is often criticized. TV game may be constructive or destructive, in all circumstances being genuine without any conversion to quasi game. The dramatic collision of modern TV games is overcoming the theatricality and the quasi game situation. TV games obviously will be evolving along this trend." @default.
• W3008995483 created "2020-03-06" @default.
• W3008995483 creator A5058650809 @default.
• W3008995483 date "2014-03-15" @default.
• W3008995483 modified "2023-09-26" @default.
• W3008995483 title "Game on TV as a form of effective communication" @default.
• W3008995483 doi "https://doi.org/10.17816/vgik61116-123" @default.
• W3008995483 hasPublicationYear "2014" @default.
• W3008995483 type Work @default.
• W3008995483 sameAs 3008995483 @default.
• W3008995483 citedByCount "1" @default.
• W3008995483 countsByYear W30089954832022 @default.
• W3008995483 crossrefType "journal-article" @default.
• W3008995483 hasAuthorship W3008995483A5058650809 @default.
• W3008995483 hasBestOaLocation W30089954831 @default.
• W3008995483 hasConcept C110157686 @default.
• W3008995483 hasConcept C112698675 @default.
• W3008995483 hasConcept C116190364 @default.
• W3008995483 hasConcept C124952713 @default.
• W3008995483 hasConcept C138496976 @default.
• W3008995483 hasConcept C142362112 @default.
• W3008995483 hasConcept C144024400 @default.
• W3008995483 hasConcept C144133560 @default.
• W3008995483 hasConcept C15744967 @default.
• W3008995483 hasConcept C17744445 @default.
• W3008995483 hasConcept C199539241 @default.
• W3008995483 hasConcept C2780876879 @default.
• W3008995483 hasConcept C31258907 @default.
• W3008995483 hasConcept C41008148 @default.
• W3008995483 hasConcept C49774154 @default.
• W3008995483 hasConcept C509535802 @default.
• W3008995483 hasConcept C512170562 @default.
• W3008995483 hasConcept C542102704 @default.
• W3008995483 hasConceptScore W3008995483C110157686 @default.
• W3008995483 hasConceptScore W3008995483C112698675 @default.
• W3008995483 hasConceptScore W3008995483C116190364 @default.
• W3008995483 hasConceptScore W3008995483C124952713 @default.
• W3008995483 hasConceptScore W3008995483C138496976 @default.
• W3008995483 hasConceptScore W3008995483C142362112 @default.
• W3008995483 hasConceptScore W3008995483C144024400 @default.
• W3008995483 hasConceptScore W3008995483C144133560 @default.
• W3008995483 hasConceptScore W3008995483C15744967 @default.
• W3008995483 hasConceptScore W3008995483C17744445 @default.
• W3008995483 hasConceptScore W3008995483C199539241 @default.
• W3008995483 hasConceptScore W3008995483C2780876879 @default.
• W3008995483 hasConceptScore W3008995483C31258907 @default.
• W3008995483 hasConceptScore W3008995483C41008148 @default.
• W3008995483 hasConceptScore W3008995483C49774154 @default.
• W3008995483 hasConceptScore W3008995483C509535802 @default.
• W3008995483 hasConceptScore W3008995483C512170562 @default.
• W3008995483 hasConceptScore W3008995483C542102704 @default.
• W3008995483 hasIssue "1" @default.
• W3008995483 hasLocation W30089954831 @default.
• W3008995483 hasOpenAccess W3008995483 @default.
• W3008995483 hasPrimaryLocation W30089954831 @default.
• W3008995483 hasRelatedWork W1531246157 @default.
• W3008995483 hasRelatedWork W1562608053 @default.
• W3008995483 hasRelatedWork W2110084644 @default.
• W3008995483 hasRelatedWork W2132391565 @default.
• W3008995483 hasRelatedWork W2142496340 @default.
• W3008995483 hasRelatedWork W2219165207 @default.
• W3008995483 hasRelatedWork W2347236158 @default.
• W3008995483 hasRelatedWork W2363925233 @default.
• W3008995483 hasRelatedWork W2371060081 @default.
• W3008995483 hasRelatedWork W2581139671 @default.
• W3008995483 hasVolume "6" @default.
• W3008995483 isParatext "false" @default.
• W3008995483 isRetracted "false" @default.
• W3008995483 magId "3008995483" @default.
• W3008995483 workType "article" @default.