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- W3016450857 abstract "Resumen: Pasados diez años desde su eclosión, parece necesarioreflexionar sobre lo que supusieron los Nuevos Formatos teatrales en laescena independiente de Madrid. En las páginas siguientes estudiaremostres formatos distintos el Microteatro, el Teatro inmersivo (La Casa de laPortera) y el Teatro en Serie atendiendo al contexto en el que aparecieronfuertemente marcado por la crisis y sus recortes pero también a partirde un análisis de sus poéticas teatrales. Prestaremos especial atención alTeatro en Serie y a la herencia dejada por los Nuevos Formatos en el teatroespañol de comienzos del siglo XXI. Abstract: Ten years after its emergence, it is now time to reflect onwhat New Theatre Forms brought to the independent theatre landscapein Madrid. This article analyses three distinctive theatrical forms Microtheatre,Immersive Theatre (La Casa de la Portera) and Theatre Series inrelation to both their context of origin characterised by the financial crisisand austerity cuts and the theatre theories behind them. This article aimsto focus, in particular, in the Theatre Series and the legacy of these NewTheatre Forms in early 21st-century Spanish theatre." @default.
- W3016450857 created "2020-04-24" @default.
- W3016450857 creator A5078191510 @default.
- W3016450857 date "2020-04-08" @default.
- W3016450857 modified "2023-10-03" @default.
- W3016450857 title "CUANDO EL TEATRO ES NECESARIO: LOS NUEVOS FORMATOS TEATRALES UNA DÉCADA DESPUÉS (2009-2019)" @default.
- W3016450857 doi "https://doi.org/10.5944/signa.vol29.2020.24150" @default.
- W3016450857 hasPublicationYear "2020" @default.
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