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- W3023769008 abstract "In this chapter Boles describes his introduction to In-Yer-Face Theatre via the 1997 Royal Court productions of Mark Ravenhill’s Shopping and Fucking and Martin McDonagh’s The Beauty Queen of Leenane. After citing these two plays as his impetus to become an In-Yer-Face scholar, he discusses his disappointment when Aleks Sierz’s announced in 2002 that the In-Yer-Face movement had officially ended, especially because he had seen so few of the original productions. However, Boles argues that while the In-Yer-Face movement may be over, the influence from it continues to permeate mainstream culture, and he cites the post-In-Yer-Face careers of Jez Butterworth, Martin McDonagh, and Joe Penhall as examples of this point. Rather than being In-Yer-Face, they have now become “Part-of-the-Crowd.”" @default.
- W3023769008 created "2020-05-13" @default.
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- W3023769008 date "2020-01-01" @default.
- W3023769008 modified "2023-09-24" @default.
- W3023769008 title "Introduction: Reflections on In-Yer-Face from the Other Side of the Atlantic" @default.
- W3023769008 doi "https://doi.org/10.1007/978-3-030-39427-1_1" @default.
- W3023769008 hasPublicationYear "2020" @default.
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