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- W3027147029 abstract "This chapter considers rhizomatic adaptation from an ecofeminist perspective in John Lyly’s <italic>Love’s Metamorphosis</italic> (1589), which begins with an unconventional scene. A wounded stage tree protests her assault with a long speech concerning two other Ovidian tree heroines, Daphne and Myrrha. This surprising moment in the theater disrupts centuries of lyric tradition wherein women who turn into trees become mute plants, especially since she speaks with grafts of Ovidian verse and wax writing tablets positioned as though they grew from her branches. After discussing how grafting complicates the arboreal model for adaptation, this chapter turns to history of the book scholarship to explore what exactly wedges into the crevice of Ovid’s early modern bark, and how Deleuze’s assumptions about material books fall short of the variety of texts and composition practices that comprise early modern literacy." @default.
- W3027147029 created "2020-05-29" @default.
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- W3027147029 date "2019-12-01" @default.
- W3027147029 modified "2023-09-25" @default.
- W3027147029 title "Women in Trees: Adapting Ovid for John Lyly’s Love’s Metamorphosis (1589)" @default.
- W3027147029 doi "https://doi.org/10.3366/edinburgh/9781474430067.003.0003" @default.
- W3027147029 hasPublicationYear "2019" @default.
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