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- W3027255969 abstract "Star studies sees film stars as “structured polysemy” and anticipates a salient system of meaning for us to decode and appreciate. Performance theory treats meaning as “conjunctural” rather than “structured” and privileges improvisation and juxtaposition. Approaching star studies through performance theory helps explore a wealth of filmic techniques and performative tactics. This article focuses on Tony Leung Chiu-Wai’s “self-effacing” performance of repetition and examines special cases of play and liminality as well presence and absence in <italic>In the Mood for Love</italic> (Wong Kar-Wai, 2000) and <italic>Lust Caution</italic>(Ang Lee, 2007). These cases challenge our conventional habit of thought and cognition and reveal the unacknowledged potential of artistic alternative and alteration vis-à-vis history and reality. This study of Tony Leung’s performance directs attention beyond action stars to romantic male roles in Chinese films." @default.
- W3027255969 created "2020-05-29" @default.
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- W3027255969 date "2017-05-01" @default.
- W3027255969 modified "2023-10-14" @default.
- W3027255969 title "Film stars in the perspective of performance studies: play, liminality and alteration in Chinese Cinema" @default.
- W3027255969 doi "https://doi.org/10.3366/edinburgh/9781474404310.003.0003" @default.
- W3027255969 hasPublicationYear "2017" @default.
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