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• W3032534420 abstract "The focus of this dissertation is narrative identity theory, i.e. the proposition that oursense of self is structured like a story. The imputed advantage of narrativity identity isthat it enables great coherence and guidance to our complex lives composed ofmultiple and often conflicting inner impulses and social demands. The manner inwhich this is accomplished is that narrativity functions metaphorically as a tacit,formative operation, which transfers the intelligibility inherent in the familiar domain ofstories to the more elusive domain of personal identity. Narrativity is an epistemicallyefficient kind of discourse which can synthesize a multitude of elements into a unitycalled plot. A plot gives unity to the whole of a story and confers significance to itsparts. Both narrativity and metaphoricity are the more recognizable products of anunderlying mechanism both share, i.e. productive imagination. This facultypervasively and continually configures the whole field of our experience, accentuatingthe relevant structures of our physical, social or inner, affective-mental environment(context) and projects the path through this environment towards a physical destiny,social accomplishment or resolution (direction). With the tools of classic Husserlianphenomenology and its radicalization in Heideggerian existential hermeneutics themain concepts of narrativity, metaphoricity and productive imagination can be furtherclarified and connected. This will enable a discussion about the question whether theontological status of narrative identity can be construed such that either 1) personalidentity merely has narrative cognition available as a pervasive, tacit tool to cope withlife, or 2) whether our personal identity is nothing but the product of the productive The focus of this dissertation is narrative identity theory, i.e. the proposition that oursense of self is structured like a story. The imputed advantage of narrativity identity isthat it enables great coherence and guidance to our complex lives composed ofmultiple and often conflicting inner impulses and social demands. The manner inwhich this is accomplished is that narrativity functions metaphorically as a tacit,formative operation, which transfers the intelligibility inherent in the familiar domain ofstories to the more elusive domain of personal identity. Narrativity is an epistemicallyefficient kind of discourse which can synthesize a multitude of elements into a unitycalled plot. A plot gives unity to the whole of a story and confers significance to itsparts. Both narrativity and metaphoricity are the more recognizable products of anunderlying mechanism both share, i.e. productive imagination. This facultypervasively and continually configures the whole field of our experience, accentuatingthe relevant structures of our physical, social or inner, affective-mental environment(context) and projects the path through this environment towards a physical destiny,social accomplishment or resolution (direction). With the tools of classic Husserlianphenomenology and its radicalization in Heideggerian existential hermeneutics themain concepts of narrativity, metaphoricity and productive imagination can be furtherclarified and connected. This will enable a discussion about the question whether theontological status of narrative identity can be construed such that either 1) personalidentity merely has narrative cognition available as a pervasive, tacit tool to cope withlife, or 2) whether our personal identity is nothing but the product of the productive The focus of this dissertation is narrative identity theory, i.e. the proposition that oursense of self is structured like a story. The imputed advantage of narrativity identity isthat it enables great coherence and guidance to our complex lives composed ofmultiple and often conflicting inner impulses and social demands. The manner inwhich this is accomplished is that narrativity functions metaphorically as a tacit,formative operation, which transfers the intelligibility inherent in the familiar domain ofstories to the more elusive domain of personal identity. Narrativity is an epistemicallyefficient kind of discourse which can synthesize a multitude of elements into a unitycalled plot. A plot gives unity to the whole of a story and confers significance to itsparts. Both narrativity and metaphoricity are the more recognizable products of anunderlying mechanism both share, i.e. productive imagination. This facultypervasively and continually configures the whole field of our experience, accentuatingthe relevant structures of our physical, social or inner, affective-mental environment(context) and projects the path through this environment towards a physical destiny,social accomplishment or resolution (direction). With the tools of classic Husserlianphenomenology and its radicalization in Heideggerian existential hermeneutics themain concepts of narrativity, metaphoricity and productive imagination can be furtherclarified and connected. This will enable a discussion about the question whether theontological status of narrative identity can be construed such that either 1) personalidentity merely has narrative cognition available as a pervasive, tacit tool to cope withlife, or 2) whether our personamagination operating through narrativityl identity is nothing but the product of the productive" @default.
• W3032534420 created "2020-06-05" @default.
• W3032534420 creator A5040500531 @default.
• W3032534420 date "2019-01-01" @default.
• W3032534420 modified "2023-09-26" @default.
• W3032534420 title "The possibility conditions of narrative identity." @default.
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