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- W3036061371 abstract "The chapter constructs an energetic model of harmonic progression in which tense chords are signifiers of tonal functions (Riemann’s <bold>T</bold>, <bold>S</bold>, and <bold>D</bold> functions). The paradigm adopts the linguistic axes that Lacan mapped as <italic>metaphor</italic> and <italic>metonymy</italic>, which were crucial to the formation of a human subject at whose center lies <italic>désir</italic>. The theoretical claims build on the recent work of David Lewin (2007), Richard Cohn (2012a), Steven Rings (2011a), Dmitri Tymoczko (2011a), Brian Hyer (2011), and others but also reevaluate the earlier work of Ernest Kurth (1920), Hugo Riemann (1893), and Ernö Lendvai (1993). The chapter seeks to account for voice leading, modulation, and tonal diversity in a broad range of works" @default.
- W3036061371 created "2020-06-25" @default.
- W3036061371 creator A5081087494 @default.
- W3036061371 date "2020-06-18" @default.
- W3036061371 modified "2023-09-26" @default.
- W3036061371 title "A Linguistic Theory of Chromatic Harmonic Substitution and Progression in the Diatonic Unconscious" @default.
- W3036061371 doi "https://doi.org/10.1093/oso/9780190923426.003.0001" @default.
- W3036061371 hasPublicationYear "2020" @default.
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