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- W3036482470 abstract "This paper is consists of four of the four chapters presented a problem of research through the following questions: How did the European artist be able to represent the geomorphological environment of his country? Have European artists in their different places and geographies had an impact on this representation? What are the artistic and aesthetic developments that the artist has developed in representing the Geomorphology of his environment over the course of six centuries? The second chapter was divided into two topics, geomorphology and its impact on man from the point of view of scientists, theorists and geomorphology in art roots and representations, while the third chapter was devoted to the analysis of the sample of research consisting of three models of the Renaissance, romance and impressionism. Fourth, the results of the research and its conclusions were presented, including the impact of the representation of geomorphology in the art of the Renaissance by scientific discoveries and cruises, and therefore the photography of the world and the environment appeared to reveal the topography of the earth and islands and the various manifestations of nature and the extensions of the horizons with interest in perspective and embodiment Nature's Vocabulary as in Sample 1." @default.
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- W3036482470 date "2020-04-21" @default.
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- W3036482470 title "The Aesthetic Reflections of Geomorphology over the European Art" @default.
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