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- W3036849931 abstract "Both environments of mass uncertainty and emergent efforts at radical social change inspire calls for the arts to “get the word out.” Yet the distribution of information is inseparable from the distribution of resources, and the logics of broadcast are inherently colored by the politics of patronage. Moreover, the audiences addressed by such media are not open-ended, democratic masses but rather distinct publics constituted by the very forms of discourse chosen by the works: gender roles are consolidated around songs addressed either to men or women, political preferences swayed through the promotion of certain celebrities, ethnic identities unified or exacerbated via the use of different languages, and so on. However widely it spreads, distribution is never even nor unbiased; it is always colored by processes of disparity." @default.
- W3036849931 created "2020-06-25" @default.
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- W3036849931 date "2020-03-02" @default.
- W3036849931 modified "2023-09-26" @default.
- W3036849931 title "Mobutu’s Ghost" @default.
- W3036849931 doi "https://doi.org/10.1093/oso/9780190692322.003.0006" @default.
- W3036849931 hasPublicationYear "2020" @default.
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