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- W3041464482 abstract "espanolAl analizar la poesia de Samuel Beckett, la critica ha senalado la busqueda del autor de su expresion propia mas alla de las limitaciones del lenguaje y del tiempo. Sin embargo, sus poemas iniciales nunca han sido plenamente incorporados al analisis general de su produccion poetica. El proposito de este articulo es ofrecer un punto de vista diferente desde el que analizar Echo’s Bones and Other Precipitates (1935), la primera coleccion de poemas de Beckett, en estrecha relacion con el posible significado del termino ‘facultatif’, utilizado por el propio Beckett en una carta para su amigo Thomas McGreevy para describir esta poetica. Mi objetivo principal es el demostrar que Beckett entendio la poesia como un lugar de expresion personal y liberacion, en el que le resultaba mas sencillo describir sus pensamientos mas intimos. EnglishWhen discussing Samuel Beckett’s poetry, critics have noted the author’s pursuit of his self-expression beyond the boundaries of language and time. However, his early poetry has never been fully incorporated into general analysis of his poetic production. The aim of this essay is to offer a different viewpoint from which to consider Echo’s Bones and Other Precipitates(1935), Beckett’s first collection of poems, in close connection with the potential meaning of the term ‘facultatif’, used by the author himself in a letter to his friend Thomas McGreevy to describe this poetry.My contention is that Beckett’s early poetry was for him a sheltered space of self-expression and liberation, where he could most easily describe his innermost thoughts. In this respect, “Echo’s Bones”will be ultimately considered as a key point at whichto attempt a general definition of Beckett’s poetics." @default.
- W3041464482 created "2020-07-16" @default.
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- W3041464482 date "2020-01-01" @default.
- W3041464482 modified "2023-09-23" @default.
- W3041464482 title "‘Asylum under my tread’: Silencios y Voces en Echo’s Bones and Other Precipitates, de Samuel Beckett" @default.
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