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- W3043452408 abstract "This chapter examines possible Phoenician-Punic resonances in the description of Iopas’ performance at the end of Aeneid 1. The role of the Phoenicians as cultural agents in the Mediterranean, particularly in relation to Greek literature and religion, enjoys a renewed interest in recent years. The first and fourth books of the Aeneid reenact the ambivalent attitudes toward Phoenicians and Carthaginians typical of both Greek and Roman literature ever since Homer, a combination of prejudice and admiration. The fashioning of Iopas as a Phoenician-Punic seems consistent with the poetic context. Not only is the scene geographically located in Carthage, but the Tyrian origins of the town, a matter of common knowledge for most ancient readers, are emphasized already at the opening of the Aeneid. Finally, the emphasis on stars, weather and seasons, suggests that Iopas is singing about astronomy, a field often associated with the Phoenicians and Carthaginians particularly because of its practical application to navigation." @default.
- W3043452408 created "2020-07-23" @default.
- W3043452408 creator A5059836230 @default.
- W3043452408 date "2020-08-11" @default.
- W3043452408 modified "2023-10-17" @default.
- W3043452408 title "Iopas, Vergil’s Phoenician Bard (on Aeneid 1.740–747)" @default.
- W3043452408 doi "https://doi.org/10.4324/9780429024573-15" @default.
- W3043452408 hasPublicationYear "2020" @default.
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