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- W3048142334 abstract "In this chapter I investigate how the divided subjectivity of cosmopolitanism is constructed within a group, when the ‘I’ of a cosmopolitan self emerges under the pressure of an external gaze. This onstage cosmopolitanism is viewed through the aesthetics of the contemporary chorus play in the context of cosmoprolis (Hafez, Janus 21 (II): 45–55, 2006), a term devised from the words ‘cosmos’ and ‘proletarians’, to describe cosmopolitan or mobile workers and the urban practices of the new cosmopolitanism. I focus on several case studies that stage current European experiences of migration. These performances not only diagnose the culture of fear in which they originate but also articulate cosmopolitan consciousness as its antidote." @default.
- W3048142334 created "2020-08-13" @default.
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- W3048142334 date "2020-01-01" @default.
- W3048142334 modified "2023-09-23" @default.
- W3048142334 title "Staging Cosmoprolis: Constructing the Chorus Play" @default.
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- W3048142334 doi "https://doi.org/10.1007/978-3-030-41410-8_5" @default.
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