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- W30519389 abstract "Quinn’s contribution to this book focused on a problem existing between (supposedly restrictive) aesthetic theory and (supposedly emancipatory) cultural studies/visual culture approaches. Quinn addressed issues of difference in visual culture/cultural studies, and recent critiques of the ambition to link a politics of difference to an emancipatory project. Quinn argued that Beech and Roberts had offered a nascent methodology to address the epistemological impasse reached by both cultural studies/visual culture and its critiques, without defining a set of critical tools. Accordingly, Quinn advocated appropriate critical tools to address these problems of cultural/studies/visual culture.This chapter, commissioned because of Quinn’s role in the debates that formed the ‘controversy’ of the book’s title, was part of a summary of debates on ‘The Philistine’ in relation to both ‘The New Aesthetics’ and cultural studies. The debate was initiated by John Roberts and Dave Beech in articles in the 'New Left Review Journal' in the late 1990s. These articles had also informed a debate in the journal 'Third Text' with contributions from John Roberts ‘Mad For It!' (1996:35), Malcolm Quinn ‘Rethinking the Unthinkable’ (1997:40) and Julian Stallabrass ‘High Art Lite at the Royal Academy’ (1998:42). References to the Third Text debate, were included in Roberts and Beech’s text ‘Tolerating Impurities’ in 'The New Left Review, 218 (1998), which commented that ‘these exchanges have undoubtedly contributed to our concept of the philistine’. Quinn’s chapter in ‘The Philistine Controversy’ focused on the revised concept of philistinism presented in ‘Tolerating Impurities’ that followed Quinn’s intervention and those of others, and advanced Quinn’s existing contribution to these debates. Other chapters were by Malcolm Bull, Andrew Bowie, J.M Bernstein, Noel Burch, Esther Leslie and Gail Day." @default.
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- W30519389 date "2002-01-01" @default.
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- W30519389 title "The Legions of the Blind" @default.
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