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- W3093386384 abstract "Whistled speech is a little studied local use of la nguage shaped by several cultures of the world either for distant dialogues or for rendering traditional songs. This practice consists of an emu lation of the voice thanks to a simple modulated pitch. It is therefore the re sult of a transformation of the vocal signal that implies simplifications in th e frequency domain. The whistlers adapt their productions to the way each l anguage combines the qualities of height perceived simultaneously by the human ear in the complex frequency spectrum of the spoken or sung voice (pitch, timbre). As a consequence, this practice underlines key acou stic cues for the intelligibility of the concerned languages. The pre sent study provides an analysis of the acoustic and phonetic features sele cted by whistled speech in several traditions either in purely oral whistle s (Spanish, Turkish, Mazatec) or in whistles produced with an instrument like a leaf (Akha, Hmong). It underlines the convergences with the str ategies of the singing voice to reach the audience or to render the phonet ic information carried by the vowel (tone, identity) and some aesthetic ef fects like ornamentation." @default.
- W3093386384 created "2020-10-22" @default.
- W3093386384 creator A5058769828 @default.
- W3093386384 date "2007-11-01" @default.
- W3093386384 modified "2023-09-27" @default.
- W3093386384 title "ACOUSTIC FEATURES AND PERCEPTIVE CUES OF SONGS AND DIALOGUES IN WHISTLED SPEECH: CONVERGENCES WITH SUNG SPEECH" @default.
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