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- W3102196831 abstract "AbstractThe introductory chapter argues that in the transmedial transformation of Shakespeare’s oeuvre, the adaptational energy once associated with Shakespeare films has partly travelled to complex TV, which offers a new field for fruitful examinations of Shakespearean adaptations. It discusses the phenomenon of ‘quality’ or ‘complex’ TV series and explains how the study seeks to initiate a dialogue between Shakespeare studies, adaptation studies, and TV studies. Making a case for the influence, sometimes unacknowledged and unintentional, of the Shakespearean legacy on the selected TV series, the introduction charts the variety of adaptational strategies that the book discusses, from direct intertextual references and an emphasis on the Shakespearean legacy in the marketing of the series to the lack of any such references in unmarked adaptations. This broad spectrum of adaptational strategies allows for mutually illuminating readings of the plays and the TV series as well as for insights into adaptation theory. In each of the series, a particular form of a return is taken over as a topic from Shakespeare, and at the same time this serialised form of return speaks to the series’ adaptational stance: returns of the dead in Westworld, returns of the predecessor in Succession, returns to the roots in Black Earth Rising, and returns to the home in Homeland." @default.
- W3102196831 created "2020-11-23" @default.
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- W3102196831 date "2020-01-01" @default.
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- W3102196831 title "Shakespeare and Complex TV: “Our Old Work Coming Back to Haunt Us”" @default.
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- W3102196831 doi "https://doi.org/10.1007/978-3-030-46851-4_1" @default.
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