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- W3107264893 abstract "Chapter 2 looks at the <italic>etcetera</italic>, a mark which today functions solely as an abbreviation, indicating the continuation of properties in a list. But in the early modern period that was only one of its several meanings. As a noun and a verb, early modern <italic>etcetera</italic> represents the body and bawdy (sexual parts and activities, or physical functions such as urination or defecation). As a punctuation mark, it is a forerunner of the punctuation mark which indicates silence or interruption—the em-dash. As a rhetorical term, it represents silence or the form of breaking off known rhetorically as aposiopesis. As an abbreviation at the ends of lists in stage directions, or lines in actors’ parts, it represents stage action, inviting continuation of dialogue or listed props. These four categories are linked in that <italic>etcetera</italic> directs the eye to a vacancy. We can see why it might be associated with aposiopesis, a rhetorical figure that is paradoxically about silence." @default.
- W3107264893 created "2020-12-07" @default.
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- W3107264893 date "2020-11-05" @default.
- W3107264893 modified "2023-09-27" @default.
- W3107264893 title "Et Cetera/Etcetera/&c; or, the Aposiopetic Page" @default.
- W3107264893 doi "https://doi.org/10.1093/oso/9780198862109.003.0003" @default.
- W3107264893 hasPublicationYear "2020" @default.
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