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- W3107652009 abstract "Sarkar sets us off with a 1919 poster for the Society of Cinematographers that depicts a cameraman floating above Earth. But Sarkar quickly breaks away from stilted dichotomies (subjective/objective, techne/poiesis, world/image, etc.) to point out how the historicity of a technological invention does not remain contained by the presumed regularities and purposes of its technicity, and like any other product of the imagination, the camera—still or moving, analog or digital—keeps striving not only to attain new levels of image quality but also to venture into new frontiers, to incorporate mechanisms enabling novel forms of expressivity, and to reinvent itself via the deconstruction of its integral modalities. Moving away from the dialectic between cinema of and cinema as exploration, Sarkar writes, quite generously, that this collection frames cinema as embracing the unknown and the unknowable, the unimagined and the unimaginable: cinema approaching the big Other and cinema as affirmative speculation." @default.
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- W3107652009 date "2020-12-29" @default.
- W3107652009 modified "2023-09-25" @default.
- W3107652009 title "Speculations on Film/Theory and the Trope of Exploration" @default.
- W3107652009 doi "https://doi.org/10.4324/9780429469299-23" @default.
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