FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W311036597> ?p ?o ?g. }

• W311036597 startingPage "525" @default.
• W311036597 abstract "This bibliography contains all second-person texts and criticism that I have been able to verify personally. In some cases I have included items on the basis of reliable commentary by others. I would like to thank all colleagues who have helped me in the process of compiling this bibliography. Pride of place on that list goes to Irene Kacandes, whom I met at Harvard in 1987-88 while she was writing her dissertation on second-person fiction and who generously supplied me with an initial list of texts and criticism. Since then I have profited from the kindness and generosity of Isabella de Campo, Werner Helmich, Uri Margolin, Reingard M. Nischik, Brian Richardson, Dennis Schofield, and Ursula Wiest. To them all I tender a most grateful thank-you for their selfless cooperation. Special thanks go to Markus Schaffauer for help with the Spanish texts quoted by Gnutzmann. The bibliography has four different sections: A. a list of those second-person texts that meet my requirements as explained in my Introduction to the special issue of Style on second-person narrative, Volume 28, no. 3 (Fall 1994). The second-person pronoun refers to a fictional protagonist; B. a list of texts noted in the literature as being second-person texts but that do not correspond to my definition. I mention these for fairness sake and in order to save others the task of reading these works, believing them to be texts that I had overlooked or been unaware of only to be disappointed in the expectation of these texts' belonging to group A; C. a very short list of a few films with second-person voice-over that I have found mentioned or seen myself. This is a very incomplete section, but will (I hope) serve as a stimulant for further research; D. a list of criticism on the second person and address in general, on second-person narrative, and on second-person uses in poetry; Works of poetry have not been included in section A of the bibliography, but some of the contexts in which the second person shows up in poetry are incipiently narrative. It is for this reason that I have included discussions of the use of the second person in poetry in section D. Annotations to the entries in section A contain the following information: (1) the extent of the use of the second-person pronoun in reference to the protagonist (information provided only for novels); (2) remarks on the use of tenses or other pronouns in these works (past referring to the use of the past tense in reference to narrative events of the story, present-tense narration to the use of the present tense for plot events); (3) remarks on the presence or absence of a narrator figure or a prominent address function. Comments on Spanish texts for which I had no access to a translation rely on help I have received from Markus Schaffauer (Freiburg) who kindly cooperated with me in the last stages of compiling this bibliography. My annotations describe the impression I gained from the description that I received of the use of the second person, and they may therefore be incorrect. I hope that this issue will inspire many Spanish scholars to dedicate themselves to a more reliable analysis. Out of fairness to other approaches and models no categorization is provided in terms of my own typology. Annotations are kept to a minimum. For this reason texts that are discussed in detail in the essays that appeared in the special issue of Style on second-person narrative (Volume 28, no. 3, Fall 1993) are not given any annotations. Lacunae in this bibliography are as follows. Some works that are supposedly second-person narratives proved to be untraceable to me from Europe. Where I believe that these texts are very difficult to find, I have included them nevertheless in the hope that somebody else may be luckier than I. I have, however, excluded much literature that was mentioned to me and about whose quality as second-person texts I have remained doubtful. …" @default.
• W311036597 created "2016-06-24" @default.
• W311036597 creator A5001755929 @default.
• W311036597 date "1994-12-22" @default.
• W311036597 modified "2023-09-26" @default.
• W311036597 title "Second-Person Narrative: A Bibliography" @default.
• W311036597 hasPublicationYear "1994" @default.
• W311036597 type Work @default.
• W311036597 sameAs 311036597 @default.
• W311036597 citedByCount "8" @default.
• W311036597 countsByYear W3110365972015 @default.
• W311036597 countsByYear W3110365972016 @default.
• W311036597 countsByYear W3110365972017 @default.
• W311036597 crossrefType "journal-article" @default.
• W311036597 hasAuthorship W311036597A5001755929 @default.
• W311036597 hasConcept C124952713 @default.
• W311036597 hasConcept C138885662 @default.
• W311036597 hasConcept C142362112 @default.
• W311036597 hasConcept C144024400 @default.
• W311036597 hasConcept C15744967 @default.
• W311036597 hasConcept C17744445 @default.
• W311036597 hasConcept C199033989 @default.
• W311036597 hasConcept C199539241 @default.
• W311036597 hasConcept C27206212 @default.
• W311036597 hasConcept C2777206241 @default.
• W311036597 hasConcept C2779768198 @default.
• W311036597 hasConcept C2779861158 @default.
• W311036597 hasConcept C41895202 @default.
• W311036597 hasConcept C554936623 @default.
• W311036597 hasConcept C7991579 @default.
• W311036597 hasConceptScore W311036597C124952713 @default.
• W311036597 hasConceptScore W311036597C138885662 @default.
• W311036597 hasConceptScore W311036597C142362112 @default.
• W311036597 hasConceptScore W311036597C144024400 @default.
• W311036597 hasConceptScore W311036597C15744967 @default.
• W311036597 hasConceptScore W311036597C17744445 @default.
• W311036597 hasConceptScore W311036597C199033989 @default.
• W311036597 hasConceptScore W311036597C199539241 @default.
• W311036597 hasConceptScore W311036597C27206212 @default.
• W311036597 hasConceptScore W311036597C2777206241 @default.
• W311036597 hasConceptScore W311036597C2779768198 @default.
• W311036597 hasConceptScore W311036597C2779861158 @default.
• W311036597 hasConceptScore W311036597C41895202 @default.
• W311036597 hasConceptScore W311036597C554936623 @default.
• W311036597 hasConceptScore W311036597C7991579 @default.
• W311036597 hasIssue "4" @default.
• W311036597 hasLocation W3110365971 @default.
• W311036597 hasOpenAccess W311036597 @default.
• W311036597 hasPrimaryLocation W3110365971 @default.
• W311036597 hasRelatedWork W1204062410 @default.
• W311036597 hasRelatedWork W1539575667 @default.
• W311036597 hasRelatedWork W1911413047 @default.
• W311036597 hasRelatedWork W1989973178 @default.
• W311036597 hasRelatedWork W2006179887 @default.
• W311036597 hasRelatedWork W2072880538 @default.
• W311036597 hasRelatedWork W2074460591 @default.
• W311036597 hasRelatedWork W2317069931 @default.
• W311036597 hasRelatedWork W2460570477 @default.
• W311036597 hasRelatedWork W2479749652 @default.
• W311036597 hasRelatedWork W2604100017 @default.
• W311036597 hasRelatedWork W2640938813 @default.
• W311036597 hasRelatedWork W275175025 @default.
• W311036597 hasRelatedWork W2915509272 @default.
• W311036597 hasRelatedWork W296209963 @default.
• W311036597 hasRelatedWork W3154622764 @default.
• W311036597 hasRelatedWork W342011119 @default.
• W311036597 hasRelatedWork W37392615 @default.
• W311036597 hasRelatedWork W4905249 @default.
• W311036597 hasRelatedWork W2494642472 @default.
• W311036597 hasVolume "28" @default.
• W311036597 isParatext "false" @default.
• W311036597 isRetracted "false" @default.
• W311036597 magId "311036597" @default.
• W311036597 workType "article" @default.