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- W3111968095 abstract "In Nikos Skalkottas’s compositional output, the use of modality through the folk tradition, is not limited to some of the tonal works, such as the 36 Greek Dances , but it also extends to the strictly or freely twelve-tone works; indeed, this is the case throughout the composer’s creative life. Given the changing character of the ways in which this folk tradition is incorporated into a twelve-tone and, in general, an atonal environment, we chose two works from different periods, in order to show the modes in which the composer manages to connect the various aspects of the twelve-tone with modality: these are the first movement of Sonatina No.2 for violin and piano (1929), and the first movement of Petite Suite No.1 for solo violin and piano ( 1946). More specifically, in the first case, we will show the ways in which the prime row is transformed into a diatonic-chromatic-like modality, and in the second case we will discuss the function of the combination of two complementary hexachords through which two sets are produced. The first set is characterized by a kind of ‘tonal direction’ and is based on melodic models of a chromatic kind, and the second is based on mainly harmonic complexes and melodic figures of atonal character." @default.
- W3111968095 created "2020-12-21" @default.
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- W3111968095 date "2020-08-31" @default.
- W3111968095 modified "2023-09-23" @default.
- W3111968095 title "George Zervos Twelve-tone technique and modality in Nikos Skalkottas’s music" @default.
- W3111968095 doi "https://doi.org/10.26262/smb.v1i1.7754" @default.
- W3111968095 hasPublicationYear "2020" @default.
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