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- W3117141095 abstract "Using an eclectic mix of artifacts (e.g. romance novels, historical sites, religious texts, literary texts), <i>Iconoclasm</i> highlights the cyclical nature of iconoclastic gestures and iconolatry. For the authors in this edited collection, iconoclasts re-energize iconophiles’ investments in a particular object through its shattering. In taking a Nietzschean perspective on destruction, they also gesture toward the ways in which iconoclastic acts contain the seeds of a new form of idol worship. Highlighting what they call the Taussigian principle, this text compels the reader to consider whether iconoclasm unwittingly reproduces the dialectical relationships it attempts to escape." @default.
- W3117141095 created "2021-01-05" @default.
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- W3117141095 date "2020-08-01" @default.
- W3117141095 modified "2023-09-26" @default.
- W3117141095 title "Review of Iconoclasm: The Breaking and Making of Images edited by Rachel F. Stapleton and Antonio Viselli (McGill-Queen University Press)" @default.
- W3117141095 doi "https://doi.org/10.25158/l9.2.9" @default.
- W3117141095 hasPublicationYear "2020" @default.
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