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- W3117397980 abstract "Abstract Chapter 8, revisiting Hemingway’s The Sun Also Rises and taking its cue from Jake Barnes’s Catholic conscience, argues that Jake acts in recurrent if unspoken penitential redress, crafting with Lady Brett Ashley a sentimental, extramarital intimacy enabled, in part, but only in part, by his war wound. Barnes’ story entails the pilgrimage of his Anglo-American caste-mates from the monetary social economy of Paris to the buddy-buddy warmth of the borderland Pyrenees to the fully anticapitalist, extravagantly Catholic peasant Spain, where in religious festival male camaraderie is awash from spurting wine sacks and the holy spectacle of the bullfights offers truly enfleshed sacrifice—bloody, at times deadly Lady Brett, much admired and accomplished if still soul-doubting as the Goddess of resplendent desire, seeks in Pamplona to defeat the distancing worship of a Marian throne, setting her sights instead on communion with the men in the art of spectatorship (afición) only then to commingle with its great young bullfighter, Pedro Romero. Jake serves, of course, as the man in waiting to Our Lady Ashley—whereby pimp-istry and cuckoldry, requited sentiment and frustrated desire, wishful thinking and perfected intimacy dance together in lovely co-determination. In Fiedler’s broadest terms of love and death, Hemingway takes Transgression & Redemption full circle, enacting a Provençale-ization of the American imagination so thoroughly that incommensurable violative love is proven incarnate in the embodied passions of the heart but cannot be normatively domesticated—by Woman’s dictate (no children!) as much as by man’s fate—thus their blessed alt-intimacy." @default.
- W3117397980 created "2021-01-05" @default.
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- W3117397980 date "2020-12-04" @default.
- W3117397980 modified "2023-09-26" @default.
- W3117397980 title "Feast of Our Lady of Desire, Resplendent" @default.
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- W3117397980 doi "https://doi.org/10.1093/oso/9780198863052.003.0009" @default.
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