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- W3117671402 abstract "The analogy between the myth of Narcissus, referred to as the intrinsic symbol of painting by Leon Battista Alberti; the typological value of self-portrait as an ontological and statutory reference; its value while metamorphosis of reality; and the self-representative phenomenon that Selfie translates – all this has to be established and requires due consideration. When dwelling on the contemporary Selfie we need to consider also the salvific dimension of this kind of self-representation mechanisms that have always been there. The value of image while selfawareness mechanism compels us to question the fi eld of action where it is far more active – on social media.
 Its immanence is a true narcissistic affliction. The intrinsic and immediate value of image thus overlaps sign and word. The mechanisms of self-contemplation thus produced translate into a clear ontological impoverishment of reality. The Selfie does not prevent the subject’s Kafkian metamorphosis, but renders reality vulgar, making it acceptable through both similarity and integration. Self-portrait and Selfi e are thus the ancestral mechanisms of self-preservation. Its origin derives from narcissistic mechanisms that require a continuous desire to stand out socially. However, while the pictorial self-portrait translates into epistemic valuation of its author, Selfie delights in the vulgarization of the repetitive and banal gesture." @default.
- W3117671402 created "2021-01-05" @default.
- W3117671402 creator A5066798370 @default.
- W3117671402 date "2020-12-28" @default.
- W3117671402 modified "2023-10-14" @default.
- W3117671402 title "The Metamorphosis of Self(ie)-portrait: between the sublime and the banal" @default.
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- W3117671402 doi "https://doi.org/10.37935/aion.v0i10.277" @default.
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