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- W3118294140 abstract "In January 1988, against all odds, Carmelo Bene was appointed artistic director of Venice Biennale’s International Theatre Festival. The nomination was meant to last four years (1989-1992), but it abruptly ended after only two, with the resignation of Bene himself because of endless controversies with the board. The only notable accomplishment of Biennale’s Theatre section was a multidisciplinary workshop on Christopher Marlowe’s Tamburlain the Great , held on September 1989 under the title La ricerca impossibile ovvero il teatro senza spettacolo . The workshop involved musicians, singers and actors from Italy, France and Belgium. In order to understand that project from an historical and critical perspective, this paper is divided in two parts. The first one aims at retracing the sequence of events surrounding Bene’s appointment and resignation as artistic director. The second one tries to analyse the reasons that led the Italian actor to choose Tamburlaine the Great as his field of research on the concept of “macchina attoriale”. The investigation is founded on his own theoretical premises as expressed in his work La voce di Narciso . Finally, we provide probable reasons for the predictable failure of that impossible workshop." @default.
- W3118294140 created "2021-01-18" @default.
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- W3118294140 date "2019-06-01" @default.
- W3118294140 modified "2023-09-27" @default.
- W3118294140 title "Carmelo Bene, Tamburlaine and the Impossible Biennale" @default.
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