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- W3119501572 abstract "In an author such as Leopardi, inclined almost entirely towards the serious and not at all devoted to the dramatic art, it is nevertheless in a small tragicomic masterpiece that the first traces of a modern aesthetic of the sublime can be detected. The paper firstly proposes a metapoetical reading of Coro di morti , aimed at observing the strong convergence existing in Leopardi’s writing between thought advancements – namely the unintelligible if unavoidable lack of happiness in the human condition – and developments concerning his poetry formal properties and his aesthetic – here the rejection of both a classicistic poetics of mimesis and a romantic sentimental one. Lastly, in the second part, the aesthetic paradigm of the Sublime is assumed as an ideal set of values, where to investigate the adaptation process linking to Leopardi’s original the musicalization composed by Goffredo Petrassi in 1941." @default.
- W3119501572 created "2021-01-18" @default.
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- W3119501572 date "2018-01-18" @default.
- W3119501572 modified "2023-09-27" @default.
- W3119501572 title "Poetics of the Sublime. The Coro di morti , from Operette morali to Goffredo Petrassi" @default.
- W3119501572 hasPublicationYear "2018" @default.
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