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- W3122051219 abstract "In this chapter, the author analyze how this Carmen was necessary to export a new Carmen myth as a symbol of Spain to the world. In addition, the author study how Imperio Argentina's on-screen performances, based on her distinctive voice and movement, foreshadow some main characteristics of Francoist cinema in the 1940s: the Catholic religion, the bullfighting world, goyesco Spain and the lost overseas Spanish Empire. With a clearer idea of what "authentic" Spanish cinema should look like, Rey set out on various projects with the Argentine-born actress, singer and dancer Imperio Argentina, all of them folkloric musicals, all of them enjoying a success that went beyond Spain and reaped remarkable success in Ibero-America. The film presents new characteristics that foreshadow Francoist cinema, such as the Catholic religion, the bullfighting world, goyesco Spain and the lost overseas Spanish Empire." @default.
- W3122051219 created "2021-02-01" @default.
- W3122051219 creator A5051459771 @default.
- W3122051219 date "2021-01-23" @default.
- W3122051219 modified "2023-09-26" @default.
- W3122051219 title "A new Carmen for a New Spain: nationalism and cinema during the Spanish Civil War" @default.
- W3122051219 doi "https://doi.org/10.4324/9780429198366-8" @default.
- W3122051219 hasPublicationYear "2021" @default.
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