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- W3124750479 abstract "After his discharge from the Army, Barber continued work with the Office of War Information but was able to work at home. He received a commission from John Nicholas Brown for a Cello Concerto for the Boston Symphony Orchestra, conducted by Serge Koussevitzky. Written to include the strengths and predilections of cellist Raya Garbousova, the concerto is considered one of the most challenging contemporary works of the genre and won Barber the Fifth Annual Award of the Music Critics Circle of New York. Reputedly one of the most promising American composers of his time, Barber also composed music for Martha Graham’s ballet about Medea, <italic>Cave of the Heart</italic>. In 1947, under the shadow of his father’s deteriorating health and Louise Homer’s impending death, Barber composed his most “American work,” <italic>Knoxville: Summer of 1915</italic>, for voice and orchestra. It is set to a nostalgic prose-poem by James Agee and was premiered by the Boston Symphony with Eleanor Steber as soloist. Following this, Barber composed a piano sonata for Vladimir Horowitz, a work that had the most stunning impact on the American musical world." @default.
- W3124750479 created "2021-02-01" @default.
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- W3124750479 date "2020-01-20" @default.
- W3124750479 modified "2023-09-25" @default.
- W3124750479 title "Middle Years" @default.
- W3124750479 doi "https://doi.org/10.1093/oso/9780190863739.003.0011" @default.
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