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- W3128950026 abstract "The usefulness and limitations of dignity as a guide to clinical end-of-life decision-making lie in the challenge it poses to the bioethical principle of autonomy, individualist self-determination that can resist others’ expectations. I propose understanding dignity as performative and thus mutual rather than autonomous, requiring witnesses and a feedback loop of representation, reception, and reinterpretation that, crucially, persists after the death of the central subject in order to establish the meaning of a death as either “dignified” or “horrible.” Taking Erving Goffman’s theatrical model of self-presentation as an invitation to apply to dying the criteria of dramatic genre and the rules of decorum prescribed by the genres of tragedy and horror, I use the representation of assisted suicide in the 2019 film Midsommar, and that film’s foregrounding of the face, to develop an account of dignity as the witnessing and reading of a communal and embodied performance of self-governance in the face of dissolution." @default.
- W3128950026 created "2021-02-15" @default.
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- W3128950026 date "2020-01-01" @default.
- W3128950026 modified "2023-09-27" @default.
- W3128950026 title "Facing Death: Performance, Dignity, and the Horrible" @default.
- W3128950026 doi "https://doi.org/10.1353/lm.2020.0023" @default.
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