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- W3129638924 abstract "During the early-Republican era (1923-1938), the renowned Turkish vocalist Munir Nurettin Selcuk (1899-1981) developed a new classical style in the context of a new classical venue, the concert hall. Performing as a soloist (solist) in imitation of a recital (resital), he viewed himself as a ‘concertiste’ (konsertist) who had revolutionised Turkish music by adopting western techniques in vocal performance and by appropriating western conventions in vocal presentation. Here, the concert programme afforded Selcuk with a unique opportunity for displaying a new national style at the dawn of a new nation state. In this paper, the author examines the metric organisation of concert programmes presented by Munir Nurettin Selcuk during the early-Republican period. Although criticised by contemporary critics for the irregular character (usulsuz) of his concert programmes, it is argued that Selcuk advanced an older conceptualisation of musical meter that can be found in historic anthologies of song texts (gufte mecmualari)." @default.
- W3129638924 created "2021-03-01" @default.
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- W3129638924 date "2017-03-23" @default.
- W3129638924 modified "2023-09-27" @default.
- W3129638924 title "Usûlsüz: a matter of meter in the concerts of Münir Nurettin Selçuk" @default.
- W3129638924 hasPublicationYear "2017" @default.
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