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- W3133678952 abstract "This chapter reflects on the figure of the hyper-intelligent serial killer. The influence of the film of <italic>The Silence of the Lambs</italic> on the horror (and thriller) genre has been considerable, not just on individual films, but in terms of broadening the parameters audiences have come to expect — both in terms of material that might fundamentally disturb, but also in raising the bar for an intelligent approach to genre material. The sophistication of the Hannibal Lecter character might be said to be a metaphor for the extra levels of nuance which became the norm for the most accomplished entries in the field — no longer were rudimentary characterisations of the heroes and villains of such films the yardstick, or even a straightforwardly Manichean attitude to notions of good and evil. A more ambitious and richly textured approach became the norm. Thomas Harris's character — in screen terms at least — survived in a handful of films that matched impeccable writing and direction with some truly idiosyncratic and offkilter playing, two of them directed by the talented David Fincher. The chapter then studies Fincher's <italic>Se7en</italic> (1995) and <italic>Zodiac</italic> (2007)." @default.
- W3133678952 created "2021-03-15" @default.
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- W3133678952 date "2013-10-29" @default.
- W3133678952 modified "2023-09-26" @default.
- W3133678952 title "Lecter’s Progeny" @default.
- W3133678952 doi "https://doi.org/10.3828/liverpool/9781906733650.003.0007" @default.
- W3133678952 hasPublicationYear "2013" @default.
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