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- W3133967609 abstract "This chapter addresses how, unlike Hollywood, which has seen the rise of high-concept cinema overshadow the power a film star once possessed at the box office, Indian cinema, especially mainstream Hindi films, continues to underline the significance of film stars and views them as paramount to the development and marketing of most feature films. The angry-young-man persona of Indian cinema's biggest film star, Amitabh Bachchan, forged in an era of widespread political disillusionment, found its greatest expression in the 1975 super-hit <italic>Deewaar</italic> (<italic>The Wall</italic>), directed by Yash Chopra. The chapter moves away from Indian art cinema to the attractions of the mainstream film <italic>Deewaar</italic>. It engages with a range of key areas, such as the wider political context of the 1975 Indian Emergency and the angry young man as a sociopolitical symbol. It also looks at representations encompassing matriarchy, religion and poverty; Amitabh Bachchan's star image; and the lasting legacy of <italic>Deewaar</italic> for today's cinema." @default.
- W3133967609 created "2021-03-15" @default.
- W3133967609 creator A5007145563 @default.
- W3133967609 date "2015-06-30" @default.
- W3133967609 modified "2023-09-24" @default.
- W3133967609 title "Angry Young Men" @default.
- W3133967609 doi "https://doi.org/10.3828/liverpool/9781906733681.003.0009" @default.
- W3133967609 hasPublicationYear "2015" @default.
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