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- W3134859843 abstract "This chapter focuses on Ereṣ Yisra’el, the birthplace of the <italic>piyyuṭ</italic> and the home of the anonymous poets (4th–6th c.) who generally followed biblical models — most notably the book of Psalms — in their liturgical writings. Some of their structural and stylistic innovations prompted the more imaginative creativity of their successors. Yose b. Yose (4th–5th c.), the first hymnist to be identified by name, expanded the musical devices of the hymn with strophic rhyming patterns, alliteration and assonance, and enhanced the hymn with legends from the rabbis. He employed figurative language in the form of metonymy — the emblematical use of words — and recontextualized biblical phrasing for assignment in the synagogue hymn. Yose was followed by the hymnography of Yannai, the stylistic master of the pattern poem and an innovator in synthetic parallelism, and Eleazar Qillir (or Qallir), the most prolific of the Ereṣ Yisra’el poets. The chapter then looks at the new era in Jewish hymnography which began with the decline of the Ereṣ Yisra’el centres of learning beginning with the Arab conquest in 634 and the corresponding emergence of academies in Babylonia." @default.
- W3134859843 created "2021-03-15" @default.
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- W3134859843 date "1997-12-01" @default.
- W3134859843 modified "2023-09-27" @default.
- W3134859843 title "The Beginnings of Hymnography in Ereṣ Yisra’el and Babylon" @default.
- W3134859843 doi "https://doi.org/10.3828/liverpool/9781874774303.003.0002" @default.
- W3134859843 hasPublicationYear "1997" @default.
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