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- W3136108352 abstract "After having remained more or less silent on the subject, a significant number of Italian directors now turn their attention to the seventies. Considering this new production, we focus on the specific evolution of the “terrorist” as a film character. In twenty years, it indeed shifts from an undefined, invisible, character, hidden in the crowd, to a highly individualized person who has to be understood from a psychological or criminological point of view. We can thus see the renewal of Italian films on the seventies as an attempt to fill the blanks of an incomplete historical work, and, most of all, to heal the still open wounds of the “anni di piombo”. Movies draw a picture of an Italian past where people can agree on a common vision of themselves. This pacifying goal shows a new use of cinema: marking and assigning its limits to an unsolved historical violence." @default.
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- W3136108352 date "2010-01-01" @default.
- W3136108352 modified "2023-09-23" @default.
- W3136108352 title "Representing Violence on the Screen: Cinematographic Writing during the “Years of Lead” in Italy" @default.
- W3136108352 hasPublicationYear "2010" @default.
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