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- W3136117553 abstract "Alongside the relationship between philosophy and painting, in the fifteenth and sixteenth centuries, a speculative interest emerged in the concept of three dimensional vision in Cusa, Jan van Eyck, Marsilio Ficino, and Giorgione da Castelfranco. The visio circularis theme becomes a central metaphor for a new way of thinking and seeing the world, which culminates in Leonardo da Vinci’s studies on perspective. In this context, the mirror forms a dominant theme in the development of the studies and applications of perspective, which becomes in creasingly sensitive to sculptural relief." @default.
- W3136117553 created "2021-03-29" @default.
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- W3136117553 date "2021-03-01" @default.
- W3136117553 modified "2023-10-14" @default.
- W3136117553 title "„Allseitig“ Denken. Das Thema des dreidimensionalen Sehens bei Nikolaus von Kues, Jan van Eyck und Leonardo da Vinci " @default.
- W3136117553 doi "https://doi.org/10.25353/ubtr-izfk-9d15-edbf" @default.
- W3136117553 hasPublicationYear "2021" @default.
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