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- W3136200400 abstract "With bands like Grand Funk Railroad, Bachman-Turner Overdrive, Aerosmith, Ted Nugent, and Alice Cooper plying their trade around the stadiums and arenas of midwestern America, it was clear that a new clientele for rock ‘n’ roll had appeared and become viable. Who were the fans of these artists, and what were they getting from the music? How did the music industry cater to these fans among the populations of the heartland and the mill towns? In what ways were the musicians connecting with their public? And why did the players mean so much more to the punters than to the critics?" @default.
- W3136200400 created "2021-03-29" @default.
- W3136200400 creator A5039657168 @default.
- W3136200400 date "2021-03-18" @default.
- W3136200400 modified "2023-09-25" @default.
- W3136200400 title "Free for All" @default.
- W3136200400 doi "https://doi.org/10.1093/oso/9780197548813.003.0004" @default.
- W3136200400 hasPublicationYear "2021" @default.
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