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- W3136403231 abstract "Secret agents serve their country but operate in ways that compromise moral norms, laws and civil rights. Spy drama is a genre with an anti-heroic bias and has undergone a renaissance in the context of post-9/11 policies of securitisation. It is also, however, a lens through which to inspect the morality of the state and the trustworthiness of its political institutions and actors. Television is a medium in which spying is “spied” on by the television viewers, which creates a situation of double observation that enhances the genre's affordance for critical inspection. The first case study discusses the BBC series Spooks (2002–2011), which probes the double-edged morality of secret agents but still portrays the British inland intelligence service MI5 as a heroic community that defends the realm. BBC spy drama from the second decade of the twenty-first century—The Game, David Hare's Worricker trilogy and The Night Manager—takes a more disillusioned stance towards the integrity of the secret services and their capacity to keep Britain safe. Together, the programmes indicate a growing scepticism about the possibility of heroism in British secret agencies that goes along with an erosion of trust in the state and even the democratic system itself." @default.
- W3136403231 created "2021-03-29" @default.
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- W3136403231 date "2021-04-01" @default.
- W3136403231 modified "2023-09-25" @default.
- W3136403231 title "Secret service TV drama" @default.
- W3136403231 cites W374664100 @default.
- W3136403231 doi "https://doi.org/10.4324/9781003129141-4" @default.
- W3136403231 hasPublicationYear "2021" @default.
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