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- W3140780420 abstract "As a rule, novels have a short life, and not a merry one. We must except, however, some of the very first class, such as those of Miss Evans; 3,000 copies of ‘Silas Marner’, for instance, were necessary to supply the demand. Andrew Wynter in Once a Week , 21 December 1861 The series of wrapped paper objects entitled Middlemarch provide a common source for both the readings of the critical heritage and commodity responses. Middlemarch is coextensive to both fields. Within the frame of aesthetics, critics have carried out heuristic interpretations to reveal the work's meaning: a literary hermeneutics. Its method has enabled a range of critical readings, from those by Edward Dowden to Hillis Miller and beyond. More specifically, the history of aesthetic thought has been entirely necessary for these readings that could not have been otherwise achieved. Book history, by comparison, aims to arrive at a historical sociological understanding of a work, in which certain reading events within the aesthetic frame are only a component. It focuses ‘on the material and social conditions of the production, transmission and consumption of text, rather than simply on the discursive meaning of texts’. In a work's social history, other frames are involved, especially the economic. The commodity reading constructs a hypothetical yet plausible commodity response to a text, which identifies values that may have been the ones marketed at some point in the work's commercial history." @default.
- W3140780420 created "2021-04-13" @default.
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- W3140780420 date "2015-10-06" @default.
- W3140780420 modified "2023-09-24" @default.
- W3140780420 title "Good for the Audience" @default.
- W3140780420 doi "https://doi.org/10.4324/9781315655512-16" @default.
- W3140780420 hasPublicationYear "2015" @default.
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