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- W3141568229 abstract "sculptors, and composers of music are apt to be PAINTERS, more concerned with giving birth to pictures, sculpture, or symphonies than with keeping detailed records of their past accomplishments. Once a thing is done they want to go on to the next, and if what they have created has passed out of their possession, they may have only the most fragmentary information about it. Now and then a painter like Edvard Munch will cling to his drawings and canvases with an archivist's determination, but as a rule studios seldom produce complete and orderly information. Architects are a different breed. As they have to cope with plumbers and building inspectors, they keep their drawings and specifications in orderly files, for future reference. But these take up a considerable amount of space, and when an architect retires or dies, all this magnificent record too often goes to the dump. Some sketchbooks or photographs may be kept by the architect's family, but the great mass of correspondence, specifications, and plans normally disappears beyond retrieval. Performers of music are temperamental people, more likely to give their names to some favorite form of spaghetti or peaches than to worry about recordkeeping, whereas producers and managers of theatres and opera houses are more concerned with staving off bankruptcy than with preserving sources for the future historian. In this issue of the American Archivist Mary Ellis Peltz describes the chaos that existed in the Metropolitan Opera before she and a group of volunteers undertook to transform chaos into archives. But how few centers of the performing arts have survived long enough to make such a rescue operation possible. Galleries, museums, and libraries have proved more durable. Kenneth H. MacFarland describes the archival resources of the Albany Institute of History and Art. Similar records of exhibitions survive in the Pennsylvania Academy of Fine Arts, my Boston Athenaeum" @default.
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- W3141568229 date "2016-01-01" @default.
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- W3141568229 title "Archives of the Arts: An Introduction" @default.
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