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• W3148196613 abstract "AbstractThis article presents a tentative typology of narrative genres based on Greek data and following a discourse analytic perspective. Taking into consideration the contemporary literature on narrative, I maintain that the reassessment of the interlocutor's role and, in general, participants' interaction in the unfolding of the narrative event have played an important role in shifting the research interest from 'big' to 'small' narratives. Furthermore, taking into account the medium of the narrative, I propose a four-part model that emerges if a vertical oral/written continuum is intersected horizontally by a dialogue/monologue one (Politis 2001). In this context, I discuss narrative genres such as the monological autobiographical narrative, the conversational narrative of past or future events, the online journalistic narrative (news bulletin), and the printed journalistic narrative (newspaper article). Finally, I argue that, in interactive environments, symmetrical and intimate relations between the interlocutors permit the construction of collective in-group identities. On the contrary, in monological environments, where relations are asymmetrical and there is social distance between interlocutors, the latter's positionings and, consequently, their identities tend to be primarily -but not necessarily- individual ones.2KeywordsOral narratives, co-narratives, written narratives, online journalistic narratives, printed journalistic narratives, identity construction(ProQuest: ... denotes non-US-ASCII text omitted.)Introductory and methodological observationsIt is probably a truism that oral discourse is the primary and prototypical medium of linguistic expression (see Lyons 1981). The most common genre in oral linguistic expression seems to be the narrative. According to Georgakopoulou (2006a: p.33), narrative is recognised as 'a primary or foundational genre' and is placed at a 'level above the other genres' (see also Swales 1990, Virtanen 1992).These observations have led discourse analysts (see Georgakopoulou & Goutsos 2011: pp.63-65, pp.204-205) to approach the various genres by using the fundamental distinction between the narrative and the non-narrative modes as a starting point: the narrative mode comprises texts based on the presentation of a sequence of unexpected and mainly past events from a specific evaluative perspective (Labov 1972: p.359 ff, see also Bruner 1990); the non-narrative mode includes informative genres relating to the processing and management of knowledge in the context of descriptions, reasoning, confirmation or rejection of assumptions, etc. (see also Georgakopoulou & Goutsos 2000).Recent research in discourse analysis has highlighted narrative as the locus of constructing identities par excellence (see, e.g., De Fina 2003). A central distinction in exploring the concept of identity is that between the essentialist approach and the social constructionist approach. This distinction is based on whether discourse contributes to shaping the identity or not (see Benwell & Stokoe 2006: p.4, p.6). According to the essentialist approach, discourse is a representative mirror reflecting the innate and constant attributes of the self (see Benwell & Stokoe 2006: p.19, p.21, pp.24-25, p.27). In contrast, under the social constructionist approach, discourse (in this case narrative) is a means for individuals' positioning towards various hegemonic views in social circulation and, therefore, a means for the construction of social categories of membership (see Benwell & Stokoe 2006: pp.30-34, Bucholtz & Hall 2003, 2005).Based on Greek data and following a discourse analytic perspective, this paper explores questions relating to the sequential organization of oral stories and to the textual coherence of written stories. The contribution of the analysis pertains to accounting, on the one hand, for the similarities and differences among various narrative genres and, on the other, for the processes of self sustainability within these genres. …" @default.
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• W3148196613 date "2014-07-01" @default.
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• W3148196613 title "A Four-Part Model for Narrative Genres and Identities: Evidence from Greek Data" @default.
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