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- W3148530915 abstract "This essay examines Liu Feng-shueh’s Nilpotent Group (1977) and Lin Hwai-min’s Legacy (1978), two modern dance representations created in Taiwan during the late 1970s when Martial Law (1949-1987) was still in effect. During this time, censorship, or the “White Terror,” harshly defined public expression. However, choreographers managed to make their voices heard. The result was the elimination of various de facto Japanese and American markers in cultural production within the socio-cultural complexity of modernity and post-colonial discourse. What makes such erasure in modern dance so compelling is that it reveals the historical love-hate relationships between Taiwan, Japan, China and the U.S. Hence, within the context of a decolonized imagination, what were the prevailing attributes of modernity prevalent in modern * This research project is sponsored by National Science Council, ROC (Project code: NSC93-2411-H-028-001)." @default.
- W3148530915 created "2021-04-13" @default.
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- W3148530915 date "2014-01-01" @default.
- W3148530915 modified "2023-09-23" @default.
- W3148530915 title "Decolonized Imagination: Modernity and Modern Dance in 1970s Taiwan" @default.
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